fatbombers

— Fatbombers.com

talking with…2501

2501

2501 soviet ozmo

2501 is a real artist. give him a spraycan, a a paint roller, a marker, some fabric or everything else and he’ll create something stunning. Judge yourself from the photos hereunder (some of the photos come from the [2501 website](http://2501.org.uk) and some others from cpsh flickr).

You paint a lot, but it’s hard to see your pieces on the internet or in the magazines. When did you start? Why are you painting in the street (and not in the art galleries following this days’ trend)?

In 95 I started to handle the first spray cans, I’m talking about Nivoli color, drip effect guaranteed. My first true kru was back in 97 98. Myself (my first tag that you could call a tag was “never”) moz biglia19 e xsone. Moz has been my partner in crime till 2000. At that time I painted letters. Three years in which we did only trains on fs (ferrovie dello stato, tha national railway company, ndt). It was the paradise. Even if painting in italy is usually easier than painting in other countries, that moment was really great. I still paint in the street and I do some fs trains because I enjoy it, I have fun with my friends that are still doing it I’m happy to see winking faces on the city walls I enjoy. I took part in some street art exhibitions like Arte impropria, Now underground, Urban Edge; inside art galleries in recent times and even more often now I realize different things, more and more as, since 2003, I share a lab with unz ggt Tatiana catufus riccardo arena e ciste. I’t hard to see my stuff on the magazines because I never been into hip hop world, even if I think of myself as a wrighter. Too much jerking off is related to internet posting. Although now I opened a space at miresidenza, just to post old trains and to play the occasional wrighter with all the people that was seventeen when I was it too.

2501

2501

Italian Versione and go on reading in (poor) english

1. dipingi tantissimo, ma raramente si vedono i tuoi pezzi sulle fanze e su internet. quando hai iniziato? perchè dipingi per strada (e non, ad esempio, nelle gallerie come va di moda adesso)?

ho iniziato nel 95 a maneggiare i primi spray ,ti parlo di nivoli color ,effetto goccia garanatito.la mia prima vera kru risale al 97 98.io (la mia prima tag degna di questo nome è stata never) moz biglia19 e xsone. moz è stato il mio compagno d avventura fino all 2000.In quel momento dipingevo
lettere. tre anni in cui abbiamo fatto praticamente solo pannelli in fs.il paradiso .anche se dipingere in italia è generalmente più facile che in altri posti,in quel momento era proprio una pacchia.dipingo per strada e ancora abbastanza fs perchè semplicemente mi diverte, mi divertono i miei amici che ancora lo fanno con me mi diverte vedere facce ammicanti dai muri della città mi diverto. ho partecipato a varie mostre di street art tra cui Arte impropria ,Now underground ;Urban Edge;.nelle gallerie di solito e sempre più ultimamente faccio cose diverse soprattutto quando dal 2003 condivido uno studio con unz ggt tatiana catufus riccardo arena e ciste. Difficile vedere robe mie sulle fanze perchè non ho mai spedito niente e forse anche perchè non sono stato mai molto dentro la faccenda dell hip, pur considerandomi un wrighter.troppe pugnette circondano l uploading.anche se ho appena aperto uno spazio su MIRESIDENZA ma per postare vecchie trenate e giocare a fare il wrighter della domenica con i vari personaggi che erano diciasetteni quando lo ero anche io.

2501

Your drawings have always a facial expression, a strong characterization. It feels like there’s a messege, maybe a political one, coming from your works. Is that true? What’s the message, if any?

There are no specific messages. My only message when I paint illegally is that I was here and this wall is a little bit mine, too, so I take back my space in this city and my characters smile and bark at the same time.

2501

2. i tuoi puppet hanno sempre un’espressione, una caratterizzazione forte. si ha la sensazione che ci sia un messaggio, forse politico, che i tuoi lavori comunicano. è vero? qual’è il messaggio, se c’è?

messaggi specifici non ce ne sono . il mio unico messaggi quando dipingo illegalmente è sono passato di qua e questo muro è anche un po mio.quindi mi rivendico il mio spazio all interno di questa città i miei personaggi sorridono e ringhiano alla stessa maniera.

2501

In the last three years your city saw a number of graffiti and street art exhibitions, parties, public-private collaborations and mixed events. How do you see the collaboration with the institutions? Does it kill the phenomenon or does it increase and feed it?

The mai strem feeds itself with underground, and vice versa. It’s a dog that eats itself starting from the tail.

2501 rivolta

3. negli ultimi anni, la tua città ha visto innumerevoli mostre di graffiti&streetart, esposizioni, party, collaborazioni pubblico-privato ed eventi di vario tipo. come vedi la collaborazione con le istituzioni? uccide il fenomeno, o in qualche modo lo fomenta e alimenta?

il mai streem si nutre di underground e viceversa. è un cane che si ciba di se stesso incominciando dalla coda.

2501

Recently you’re been creating some wonderful puppets. Where did the idea come from? Is there a link between your street works and the fabric ones?

It has been a while since I transfer my paper thoughts to 3d using mixed materials. Mainly bi-component plastics and fabric. the puppets where a project featuring 24 pieces realized after we found some free eco-leather. Before I did a series of trunks sawed together. All this productions have been produced together with V+. other productions and the new website are coming [www.2501.org.uk](www.2501.org.uk) once the stone starts rolling down the hill it’s impossible to stopping and obviously you want more and more.

2501

4. da un po’ crei splendidi pupazzi, . com’è nata l’idea? c’è un collegamento tra i tuoi lavori per strada e i tuoi lavori in tessuto?

E da un po che trasporto in 3d i miei pensieri su carta usando vari materiali.plastiche bicomponenti e tessuto principalmente.i pupazzi sono stati un progetto di 24 pezzi realizzati dopo il ritrovamento di varia ecopelle gratuita.prima avevo fatto una serie di tronchi cuciti.tutte queste produzioni sono stata fatte insieme a V+.altre produzioni più il nuovo sito sono in arrivo [www.2501.org.uk](www.2501.org.uk) una volta fatto rotolare il masso giù dalla collina è impossibile fermarlo.e ovviamente ne vuoi sempre di più.

2501

Illegality and public space conquest. How much do this concepts mean for you?
Illegality is part of this game conquest of public space is the base of everything I do illegally. Illegality unluckily isn’t only part of my painter life, but it involves other issues too, linked to the occupation of public spaces.

2501

5. illegalità e conquista dello spazio pubblico. quanto sono importanti per te?
l illegalità fa parte di questo fenomeno la conquista dello spazio pubblico e la base di tutto ciò che facci illegalmente. l’illegalità sfortunatamente non fa parte solo della mia vita da imbrattatore…ma tocca anche altre tematiche legate all occupazione di spazzi urbani.

2501

What influences you most?
Too many and mani-fold my influences come from every person, thing, situation that is around me and I don’t know how to list them, and in which order.

2501 at assab one

6. quali sono le tue influenze?
troppe e molteplici le mie influenze arrivano da tutte le persone, cose, situazioni che mi circondano e neanche io saprei come elencarle ne in che ordine.

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